Yayue project update 雅樂項目更新: Three (More) Yayue for the Confucian “Capping Ceremony” 《三加禮》第二套 (Dec. ’22)

Over the last eighteen months I’ve been engaged in an ongoing project to familiarise myself with the ancient and charming instrumentarium of Chinese court ceremonial music, known as Yayue, a close ancestor of the Japanese gagaku.  I’ve approached this from the point of view of first understanding the characteristic atmosphere of a traditional Confucian ritual,…Continue Reading “Yayue project update 雅樂項目更新: Three (More) Yayue for the Confucian “Capping Ceremony” 《三加禮》第二套 (Dec. ’22)”

Rehearsing for the premiere of “Moon” at Taipei International New Music Festival (Aug.’22) 臺北國際現代音樂節將首演的《月》之排練(2022.8)

Last week I had some very rewarding and useful online rehearsals with the four players who will premiere my piece Moon in October, as part of the Taipei International New Music Festival.  The festival is administered by ISCM Taiwan, and Moon was selected by the jury in a call for works last year.  It’s exciting to hear…Continue Reading “Rehearsing for the premiere of “Moon” at Taipei International New Music Festival (Aug.’22) 臺北國際現代音樂節將首演的《月》之排練(2022.8)”

New work “Moon” selected for inclusion in 2022 Taipei International New Music Festival (Oct. 2021)

My new nine-minute quartet for zhonghu, guzheng, alto saxophone and tuned percussion (marimba doubling vibraphone), titled Moon, has been selected in the latest call for works of the Taiwan Branch of the International Society for Contemporary Music (ISCM).  It will receive its premiere in the 2022 edition of the Taipei International New Music Festival. For…Continue Reading “New work “Moon” selected for inclusion in 2022 Taipei International New Music Festival (Oct. 2021)”