I was excited to receive notification from Cambridge Scholars Publishing that the Proceedings of both the 2022 and 2023 sessions of the International Symposium of Contemporary Music Research, which I organise under the auspices of Nanhua University, have been accepted for publication. The titles I’ve chosen for the two sets of Proceedings are:
2022: Shifting Paradigms and Multifaceted Identities: Essays on Composers Traditional and Avant-Garde
2023: Crossing into Distance: Contemporary Composers on the Present and Future of Art Music
I have a lot of translation, editing and proof-reading work ahead of me before the two books can be published; I’m aiming for Summer 2024.