Explore the music of English composer George Holloway
Over the last eighteen months I’ve been engaged in an ongoing project to familiarise myself with the ancient and charming instrumentarium of Chinese court ceremonial music, known as Yayue, a close ancestor of the Japanese gagaku. I’ve approached this from the point of view of first understanding the characteristic atmosphere of a traditional Confucian ritual,…Continue Reading “Yayue project update 雅樂項目更新: Three (More) Yayue for the Confucian “Capping Ceremony” 《三加禮》第二套 (Dec. ’22)”
I’m was excited to be able to organise once again the Symposium of New Works and Research into Contemporary Composers which is took place online on May 21st, under the aegis of Nanhua University Dept. of Ethnomusicology. The academic committee* chose eight papers and six compositions for inclusion in this year’s event. I’m was very…Continue Reading “Symposium of New Works and Research into Contemporary Composers (2022.5.21)”
藉由南華大學研發處的資助，本人已開始進行新的專題研究：“人工智慧作為作曲的輔助工具以及靈感的來源：探索機器學習的風格轉移在音樂創作中的運用之潛力”。 Supported by funding from the Nanhua University Research and Development Office, I’ve begun a new research project: “AI as a compositional aid and a source of inspiration: exploring the potential application of machine learning style transfer to musical creativity”. 我2022年1月應研究中心總監Emily Howard的邀請曾參觀英國皇家北英格蘭音樂學院的音樂與科技研究與實踐中心（PRiSM）。我在研究中心裡有機會了解到他們令人贊嘆的超級電腦「PRiSM sample RNN」的功能，並與學者討論它在輔助作曲上的可能性。我們有討論我初步的研究方向，並規劃進一步的討論。 In January 2022 I was invited by Emily Howard, director of…Continue Reading “人工智慧與作曲的研究項目（音樂與科技的研究與實踐中心 2022年1月參觀）AI in Musical Composition Research Project: visit to PRiSM research centre (Jan.’22)”