{"id":2549,"date":"2025-10-22T05:07:11","date_gmt":"2025-10-22T04:07:11","guid":{"rendered":"https:\/\/georgehollowaycomposer.com\/?p=2549"},"modified":"2025-10-22T05:13:50","modified_gmt":"2025-10-22T04:13:50","slug":"studio-recording%e3%80%8a%e8%b2%89%e7%8d%a0%e4%b9%8b%e6%ad%8c%e3%80%8b%ef%bc%9a%e7%a6%8f%e4%bd%ac%e6%ad%8c%e8%ac%a0-%e7%9b%a7%e9%95%b7%e5%8a%8d-songs-of-the-raccoon-dogs-hokklo-folk-transcriptions","status":"publish","type":"post","link":"https:\/\/georgehollowaycomposer.com\/?p=2549","title":{"rendered":"Studio Recording:\u300a\u8c89\u7360\u4e4b\u6b4c\u300b\uff1a\u798f\u4f6c\u6b4c\u8b20 \u76e7\u9577\u528d Songs of the Raccoon Dogs (Hokklo Folk Transcriptions) (26th Jan ’25)"},"content":{"rendered":"

Dong Yen Wu and I have finished editing the videos of my Songs of the Raccoon Dogs (Hokklo Folk Transcriptions)\u00a0<\/em>, recorded by soprano Ying-Tzu Huang, pianist Chiu Hsing-Tzu, and flautist Huang Ming-Li.<\/p>\n

These transcriptions (in both the ethnomusicological and Finnissian sense) are part of a creative practice that I have been developing over the past decade, which could be described as “composition as ethnomusicology”. I talk about this in my article of the same title and in my 2023 keynote address at the Principles of Music Composing conference in Lithuania (links below).<\/p>\n

\"YouTube