{"id":1622,"date":"2021-10-06T09:10:45","date_gmt":"2021-10-06T08:10:45","guid":{"rendered":"https:\/\/georgehollowaycomposer.com\/?p=1622"},"modified":"2023-08-25T21:17:26","modified_gmt":"2023-08-25T20:17:26","slug":"article-published-by-nanhua-university-%e3%80%8cart-and-design%e3%80%8d-%e5%8d%97%e8%8f%af%e5%a4%a7%e5%ad%b8%e8%97%9d%e8%a1%93%e8%88%87%e8%a8%ad%e8%a8%88%e6%9c%9f%e5%88%8a%e7%99%bc%e8%a1%a8%e5%ad%b8","status":"publish","type":"post","link":"https:\/\/georgehollowaycomposer.com\/?p=1622","title":{"rendered":"Article Published by Nanhua University “Journal of Arts and Design” \u5357\u83ef\u5927\u5b78\u300c\u85dd\u8853\u8207\u8a2d\u8a08\u671f\u520a\u300d\u767c\u8868\u5b78\u8853\u8ad6\u6587\uff08Summer 2021\uff09"},"content":{"rendered":"

My recent article on rhythmic notation has been published in Nanhua University’s “Journal of Arts and Design”.\u00a0 Owing to its distribution being very limited, I’ve shared the paper below.\u00a0 For non-Mandarin readers, here is the English abstract:<\/p>\n

This paper considers practical and ideographic aspects of various notations of rhythms using non-power-of-two divisions of the whole note (simply called \u201ctuplets\u201d in this article).\u00a0 The article takes an analysis of two short passages from Scriabin\u2019s Tenth Piano Sonata as the starting point for a reflection on the necessity for notation to be \u201cas simple as possible\u201d, and for the evaluation of both literal and ideographic aspects of notations.\u00a0 The article then elaborates the general tenets and conventions surrounding the notation of tuplets, including additive fractional duration and nested tuplets.\u00a0 The author proposes certain \u201csolutions\u201d or \u201csimplifications\u201d of certain tuplet notations, and evaluates the pros and cons of both the original and the renotation.\u00a0 Discussion of the aesthetic aspect of such notations draws upon examples from Michael Finnissy\u2019s piano music, as well as personal communications between the author and the composer regarding the ideographic aspect of notation (comparing, to use Finnissy\u2019s own formulation, the abstract-theoretical and pragmatic-empathetic aspects of notation).\u00a0<\/strong><\/p>\n

Keywords: Rhythmic notation, non-power-of-two divisions of the whole note, additive fractional duration, nested tuplets, Scriabin, Finnissy.\u00a0<\/strong><\/p>\n

\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\" \"\"\"\"\"\"\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

My recent article on rhythmic notation has been published in Nanhua University’s “Journal of Arts and Design”.\u00a0 Owing to its distribution being very limited, I’ve shared the paper below.\u00a0 For non-Mandarin readers, here is the English abstract: This paper considers practical and ideographic aspects of various notations of rhythms using non-power-of-two divisions of the whole…<\/span>Continue Reading “Article Published by Nanhua University “Journal of Arts and Design” \u5357\u83ef\u5927\u5b78\u300c\u85dd\u8853\u8207\u8a2d\u8a08\u671f\u520a\u300d\u767c\u8868\u5b78\u8853\u8ad6\u6587\uff08Summer 2021\uff09”<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[212,313,314,230,315],"class_list":["post-1622","post","type-post","status-publish","format-standard","hentry","category-1","tag-contemporary-music","tag-journal-article","tag-journal-of-arts-and-design","tag-nanhua-university","tag-rhythmic-notation"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=\/wp\/v2\/posts\/1622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1622"}],"version-history":[{"count":11,"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=\/wp\/v2\/posts\/1622\/revisions"}],"predecessor-version":[{"id":1697,"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=\/wp\/v2\/posts\/1622\/revisions\/1697"}],"wp:attachment":[{"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/georgehollowaycomposer.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}