{"id":46,"date":"2011-10-16T20:50:23","date_gmt":"2011-10-16T20:50:23","guid":{"rendered":"http:\/\/georgehollowaycomposer.com\/?page_id=46"},"modified":"2024-10-05T07:17:56","modified_gmt":"2024-10-05T06:17:56","slug":"bio","status":"publish","type":"page","link":"http:\/\/georgehollowaycomposer.com\/?page_id=46","title":{"rendered":"Bio (Mar.’24)"},"content":{"rendered":"

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Composer\/conductor George Holloway is assistant professor in Nanhua University’s department of ethnomusicology. He was formerly Dean of Composition at Tianjin Conservatory of Music. George has also taught at the Central Conservatory of Music, University of Southampton, and Taichung Cingshuei High School.<\/p>\n

George studied Classics at Oxford University, where he was an instrumental and choral scholar, and studied composition with Robert Saxton. He completed both an MMus and PhD in composition at the University of Southampton, studying with Michael Finnissy. George studied conducting at the Central Conservatory of Music from 2012-14.<\/p>\n

George’s music is rooted in the modernist tradition of Western art music, with specific affinities to New Complexity, British experimentalism and the Anglican choral tradition, as well as to traditional Chinese and Taiwanese music. Performers of George’s music have included: C-Camerata Taipei, TimeArt, Qingdao Symphony Orchestra, the Kreutzer and Ligeti string quartets, Ensemble Mise-En, St Christopher Chamber Orchestra, Ensemble Synaesthesis, Phasma Music, the Asian American New Music Institute, Finchley Chamber Choir and Orchestra, Jing-Mu Kuo, Peter Sheppard Sk\u00e6rved, Thomas Mesa, Sam Cave and David Owen Norris.<\/p>\n

As a conductor, George has conducted both the Oxford and Southampton Contemporary Music Groups, the Mulan Children’s Choir (Tianjin), the chorus of the Central Opera House (Beijing) and the Taichung Chamber Choir. Among the ensembles he has founded are the Southampton University Contemporary Music Group and the Holloway Children\u2019s Choir.<\/p>\n

George has been invited to lecture at numerous universities and conservatories of music, most notably at the China Conservatory of Music, Sun Yat-Sen University, and at the 23rd International Music Theory Conference at the Lithuania Academy of Music And Theatre (keynote lecture). George has collaborated on art-science interdisciplinary projects at both Bristol and Nanhua Universities, including most recently a Human-AI Co-Creation research project. George’s music was selected by the ISCM Taiwan Chapter for inclusion in both the 2022 and 2023 Taipei International New Music Festivals. George’s music has been released on Metier, Parma and Phasma labels, has won prizes in both the Witold Szalonek and Beijing Grand Prix composition competitions, and is published on Scodo by Universal Edition.<\/p>\n

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George Holloway<\/span><\/span><\/span><\/span>\u70ba\u82f1\u570b\u4f5c\u66f2\u5bb6\u548c\u6307\u63ee\u5bb6\uff0c\u73fe\u4efb<\/span><\/span><\/span>\u79c1\u7acb<\/span><\/span>\u5357\u83ef\u5927\u5b78\u6c11\u65cf\u97f3\u6a02\u5b78\u7cfb\u7684\u5c08\u4efb\u52a9\u7406\u6559\u6388\u3002\u5f9e<\/span><\/span><\/span><\/span><\/span>2015<\/span><\/span><\/span><\/span>\u5e74<\/span><\/span><\/span><\/span><\/span>2018<\/span><\/span><\/span><\/span>\u5e74\u662f\u5929\u6d25\u5e02\u9752\u5e74\u5343\u4eba\u8a08\u756b\u5165\u9078\u8005\u3001\u540c\u6642\u64d4\u4efb\u5929\u6d25\u97f3\u6a02\u5b78\u9662\u4f5c\u66f2\u7cfb\u7cfb\u4e3b\u4efb\u3002<\/span><\/span><\/span><\/span><\/span>2014<\/span><\/span><\/span><\/span>\u5e74\u81f3<\/span><\/span><\/span><\/span><\/span>2018<\/span><\/span><\/span><\/span>\u5e74\u662f\u5929\u6d25\u5927\u5287\u9662\u6728\u862d\u7ae5\u8072\u5408\u5531\u5718\u9ad8\u7d1a\u73ed\u7684\u6307\u63ee\u3002<\/span><\/span><\/span><\/span><\/span>2018<\/span><\/span><\/span><\/span>\u5e74\u5275\u7acb\u970d\u6d1b\u97cb\u7ae5\u8072\u5408\u5531\u5718\u3002<\/span><\/span><\/span>\u4e26<\/span><\/span>\u66fe\u5728\u82f1\u570b\u5357\u5b89\u666e\u6566\u5927\u5b78\u4ee5\u53ca\u4e2d\u592e\u97f3\u6a02\u5b78\u9662\u4efb\u6559\u3002<\/span><\/span><\/span><\/span><\/span>2005<\/span><\/span><\/span><\/span>\u5e74<\/span><\/span><\/span>\u7562\u696d\u65bc<\/span><\/span>\u725b\u6d25\u5927\u5b78<\/span><\/span><\/span>\uff08<\/span><\/span>\u69ae\u8000\u5b78\u58eb\u5b78\u4f4d<\/span><\/span><\/span>\uff09\uff0c\u4e26\u5728\u725b\u6d25\u6642<\/span><\/span>\u70ba\u8072\u6a02\u53ca\u5668\u6a02\u5169\u500b\u734e\u5b78\u91d1\u7684\u7372\u5f97\u8005\u3002\u5728\u725b\u6d25\u6642\uff0c\u5e2b\u5f9e\u4f5c\u66f2\u5bb6<\/span><\/span><\/span><\/span><\/span>Robert Saxton<\/span><\/span><\/span><\/span>\u3002<\/span><\/span><\/span><\/span><\/span>2012<\/span><\/span><\/span><\/span>\u5e74\u65bc\u82f1\u570b\u5357\u5b89\u666e\u6566\u5927\u5b78\u53d6\u5f97\u535a\u58eb\u5b78\u4f4d\uff0c\u5e2b\u5f9e\u4f5c\u66f2\u5bb6<\/span><\/span><\/span><\/span><\/span>Michael Finnissy<\/span><\/span><\/span><\/span>\u3002<\/span><\/span><\/span><\/span><\/span>2013<\/span><\/span><\/span><\/span>\u5e74\u81f3<\/span><\/span><\/span><\/span><\/span>2014<\/span><\/span><\/span><\/span>\u5e74\u5728\u4e2d\u592e\u97f3\u6a02\u5b78\u9662\u6307\u63ee\u7cfb\u70ba\u9ad8\u7d1a\u9032\u4fee\u751f\uff0c\u5e2b\u5f9e\u9673\u7433\u6559\u6388\u3002<\/span><\/span><\/span><\/span><\/span><\/p>\n

\u8fd1\u671f\u7684\u6d3b\u52d5\u5305\u62ec<\/span><\/span><\/span>:<\/span><\/p>\n