Listen to Colin Still’s excellent recording of Peter and Mihailo’s gorgeous performance (click on the link to hear two other performances of this piece): http://v.youku.com/v_show/id_XMzQwMzEwNzQ0MA==.html?spm=a2hzp.8253869.0.0
In January 2018, Tianjin International TV made a documentary about my life and work as composer, conductor and teacher in Tianjin. 在中国的朋友们，欢迎你们打开以下的链接观看天津国际频道Hello!天津的纪录片： http://tv.cntv.cn/video/VSET100183082927/35c76b659ddb4ad294aa3d03e454801f?from=timeline&isappinstalled=0 The full documentary: I’ve made a shorter edited version: Unfortunately it’s in Chinese! Apologies to my non-Chinese-speaking friends, but I encourage you to take a look anyway, as it’s beautifully shot!
You can see the documentary Tianjin International TV made about my rehearsals with the delightful Mulan Children’s Choir on this project here: Tianjin International TV: Hello! Tianjin documentary http://georgehollowaycomposer.com/?p=521 July 2018: Update I’ve got the videos of the three performances up online, you can see them here: For people in China, youku links below: http://v.youku.com/v_show/id_XMzcwNDY1OTk4NA==.html…Continue Reading “Opera for Children’s Choir: Cao Chong Weighs the Elephant 童声歌剧：曹冲称象 （2017）”
This is, to my mind, one of the most important educational contributions I’ve made at the Tianjin Conservatory of Music: coaching and rehearsing this piece was a transformative learning experience for the thirteen students that premiered the piece. I personally invested 60 or more hours in rehearsing Mosaic, from one-to-one coaching, to sectionals and full rehearsals. …Continue Reading “Mosaic (2017) for 13 instruments”
This piece for flexible ensemble has had many performances over the years. I’ve posted two videos of performances below, and a bandcamp link where you can hear the audio of what I think was the world premiere, by CoMA South. http://v.youku.com/v_show/id_XMzE2NDA0NDU2NA==.html?spm=a2hzp.8253869.0.0 http://v.youku.com/v_show/id_XMzE2NDA0MzQ3Mg==.html?spm=a2hzp.8253869.0.0
For No One, To No One was first performed by David Alberman at the SPNM solo spotlights concert, Wapping Hydraulic Power Station, London, UK, 20th March 2007. The title was prompted by composer and performer Ignacio Agrimbau, who suggested I write a piece without dedication, and which did not purport to convey extra-musical meaning. The…Continue Reading “For No One, To No One (2006-7) solo violin”
In October 2016 I organised a mini-festival, inviting the Kreutzer Quartet to come and perform, teach, lecture and workshop students works. It was a wonderful week, and garnered enthusiastic feedback from the Tianjin students. http://v.youku.com/v_show/id_XMzE2NDA0ODE4NA==.html?spm=a2hzp.8253869.0.0 While they were in Tianjin, I was lucky enough to have a new piece, Tullochgorm, premiered in their second concert. This…Continue Reading “Kreutzer Quartet in Tianjin: Tullochgorm (2016) for String Quartet”
I worked on Chen Yi’s choral works with students from the composition, piano and Chinese vocal departments. We all really enjoyed learning and performing these pieces.
I worked on the musical accompaniment for this Chinese language production of Sarah Kane’s 4.48 Psychosis in Summer 2015. I composed some new music for ‘cello/multi-tracked ‘cello, as well as using some of my other pieces. I wrote the ‘cello pieces as canons, first recording a single voice and later overlaying copies of the same recording to…Continue Reading “Theatre Music for Sarah Kane 4.48 Psychosis 萨拉·凯恩：4.48精神崩溃配乐”
I wrote this piece for 13 performers (all Chinese instruments, including 2 percussionists playing Chinese percussion) for the TJCM 2015 May Music Festival. It was premiered by the Fan Yin Chinese instrument ensemble. The suona player plays from three different positions, at first from behind the audience, then in the middle of the audience, and…Continue Reading “Iceflow IV (2014) for Chinese instrument ensemble (13 players)”
AANMI premiered Dances in Time and Vertical Space in the concert hall of the Central Conservatory of Music on 25th May 2015, as part of the Beijing Modern Music Festival. This piece is a kind of baroque dance suite, with the different dances superimposed upon each other in different mensurations and, as the piece progresses,…Continue Reading “Dances in Time and Vertical Space (2015) for solo violin and six instruments”
For Eight Accordions, spatially arranged around the audience. I wrote this piece between Jan 2012 and March 2014, in honour of my friend Nicolai Leski’s two children, Vincenz and Greta. The players are ranged around the audience in 8 evenly distributed positions, the aim being that opposing performers can “transmit” the sound from one side…Continue Reading “Vincenz und Greta (2012-14) for 8 accordions”
My two guitar sonatas were both written for and dedicated to Sam Cave. Thanks to Sam, these two pieces have become my most often performed compositions! Sam is preparing a professional recording of both sonatas, which I eagerly await. In the meantime, I post here the videos of Sam’s earlier performances (from his visit to…Continue Reading “Guitar Sonatas 1&2”
This vocal work sets the poetry of Li Po (Li Bai) in Chinese. The world premiere performance from my “Music for Voices” composer portrait concert in Southampton in 2012, was sung by English performers, and I did my best to coach them in the mandarin pronunciation (although of course Li Po’s own pronunciation is nothing…Continue Reading “Brief Journey (2007) for soprano, alto, erhu (or violin) and piano”
This wonderful song cycle for soprano and chamber ensemble by the American composer Lawrence Moss sets Chinese poetry in English translation. http://v.youku.com/v_show/id_XMzE2NDU1MzQ1Mg==.html?spm=a2hzp.8253869.0.0